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DRONE (prototype)

Reclaimed speakers, custom electronics, metal, fabric, magnets, projectors.

DRONE draws on research into the physical dynamics of insect flight and behaviour to question current applications in micro-robotic futures. Applied research in micro-robotics advances the intent to supplement diminishing bee populations with artificial pollinators and produce covert surveillance drones. The impact of these technologies on daily life raises questions both for the present and the future. Does the threat to sustainable ecosystems motivate people to action? Is every proposed solution one that will benefit future generations of both humans and non-humans? How will the application of this research to advances in micro-robotic surveillance technology alter the perception of privacy and influence the autonomy of individuals? DRONE is part of a body of artistic work that draws upon research in the sensory and communication behaviour of companion creatures in order to explore the affective influence of technological applications. 

The exploration of a multi-sensorial method of information exchange is informed by an approach to the integration of video projection and electronic sound generation. The video is produced from appropriated segments of research documentation that have been made publicly available by the Synchrotron Radiation Research Institute and The Harvard Microrobotics Lab. The images of bees in flight are captured as subjects of scientific experiments. These images are transitioned and eventually replaced by their robotic counterparts. The projected light of the video, in collaboration with participants movements, produce an immersive electronically generated soundscape that is tuned to frequencies specific to the drone of bee flight and communication behaviours.

May 15, 2017 by jean legault.
  • May 15, 2017
  • jean legault
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Intelligence (prototype)

April 2016. 3D printed plastic discs, vintage Fisher Price music player, book

Intelligence is a strange output based on a radical imagining of human-computer interaction. This piece asks what form the portrait of a person might take from the perspective of an intelligence where perception, memory, recall and access to information is so radically different from human experience. This work began with a series of drawings that map the data of individual people as they would be stored in the memory of an Iris Recognition Analysis System (IRA). The final work is an interpretation of the data portraits as 3D printed plastic disks that can be played on a Fisher Price Music Player. A short fiction with cumulative dataset drawings contextualizes this participatory piece.

May 8, 2017 by jean legault.
  • May 8, 2017
  • jean legault
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Mimid (electronic prototypes)

December 2015. custom electronics, microphones, solonoids.

As an early prototype of the MIMID boards, each of these electronic devices isolates sound data from an onboard surveillance microphone and taps out the rythmic information of the ambient soundscape through a solenoid. A cluster of these devices will make imperceptible sound data audible by tapping on available surfaces and objects in the same manner as woodpeckers when practicing their unique communication behaviour of drumming.

February 7, 2017 by jean legault.
  • February 7, 2017
  • jean legault
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Transmissions Exhibition at Mesaros Gallery, West Virginia University

Three pieces exhibited together under the title Transmissions: Subtle Territory, Resonant Variations and a new experimental piece Sonic Horizon. This last installation is based on a popular but dangerous Maker hack of an old Cathode Ray Tube (CRT) TV. The Maker modification is typically used as a desktop oscilloscope but in this version, a surveillance microphone picks up and visualizes ambient sound. High In the corner of the space, a contemporary surveillance camera attentively watches the formally obsolete TV and projects its images over a bank of monitors that are arranged to surround the participant in a visual horizon of live sound.

February 7, 2017 by jean legault.
  • February 7, 2017
  • jean legault

2013 Prototype experimentation: Capture and Release

Working with Ray Gould and Ivan Paisley on an installation that sonically characterizes participants activities as they are analyzed by a video surveillance system.

Prototype experiments and video with Michael Grant.

July 22, 2013 by jean legault.
  • July 22, 2013
  • jean legault
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2011 Experiment at Pelling Lab for OpenOttawaLibre

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I had the opportunity to work for a few days with Andrew Pelling from the Laboratory of Biophysical Manipulation at the University of Ottawa. We came up with an experiment for the interaction of living cells with local pressure waves. Although we didn't arrive at any experimental outcomes, the effects of infrasonic frequencies in water were quite compelling. The frequencies are produced by a Pd oscillator and visualized through a projector when light is reflected off the waters undulating surface. The result was, Darkfield a collaborative experiment on a way to affect the growth patterns of cell colonies with infrasonic architectures. Some of the waveforms that the team has uncovered are projected live in the installation space. These waveforms can be disrupted by their experimental field conditions through sonic input from participants. This work considers the dynamic influence of sound on living organisms in our surroundings.

pellinglab.net | Upcoming Talk on Biohacking

June 7, 2011 by jean legault.
  • June 7, 2011
  • jean legault

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